Most authors think the book is the asset. It isn't. The stories that get optioned arrive as packages — screenplay, director, talent attached. Already a film, waiting for a yes.

That's why serious creators stall. Not a weak story — a manuscript brought to an industry that buys packages.

I came up inside this.

The Hate U Give. Coming 2 America. The Underground Railroad. Insecure. Raising Dion.

I built my career inside those productions — where projects get greenlit or quietly killed — and founded IM Media to build what creators are missing.

What we do.

We package your project before you walk into a room with investors. A writer and screenplay. Talent and creative team. The story bible the industry requires. And your production department — what crew you need, who to hire, what it takes to get made.

You bring the story. We build the package — book, script, podcast, or true story into a screen property you own.

The Story World Audit.

Bring me your project and I'll tell you where it stands — what's ready, what's missing, what it takes. A clear read from someone who's been on the set, not adjacent to it.

Free. Honest. Thirty minutes.