IM MEDIA JOURNAL
IM MEDIA JOURNAL
She Waited a Decade. Then She Made the Film She Actually Wanted.
How author Tomi Adeyemi protected Children of Blood and Bone through three studios over a decade — and what her fight teaches filmmakers, writers, and packagers about IP ownership, leverage, and getting your story to the screen the right way.
Creative Lab: Angie Thomas on Taking The Hate U Give From Book to Big Screen
Angie Thomas shares how her college story became The Hate U Give film. Lessons for writers, filmmakers, and aspiring creatives.
Why 50,000 Film Graduates Can’t Get Hired
Case Study: Bridging the Gap Between Film Education and Career Access
![Breaking Into Film: From PA to AD on Marvel’s Captain America [Episode 1]](https://images.squarespace-cdn.com/content/v1/663bd10df886c33f13207b99/1743435835903-21YUPXTZ0MMLVT61GLD4/SQ_Convos+on+Channel+2+.jpg)
Breaking Into Film: From PA to AD on Marvel’s Captain America [Episode 1]
From PA to 2nd 2nd AD on Captain America: Brave New World—Meaghan Gillenwater’s journey is proof that strategy, relationships, and consistency can take you to the next level in film. Ready to level up your career? Read her story.
Inside a Marvel Blockbuster: The Critical Role of a 2nd 2nd AD on Captain America
From PA to 2nd 2nd AD on Captain America: Brave New World—Meaghan Gillenwater built her film career with grit, strategy, and no Hollywood connections. Want to break into the industry? Learn how to level up in film production.